Yet the world of ballet has begun scouting for its choreographers in new and sometimes surprising places, and Khan … Khan chose to symbolise the horror experienced by millions by having the dancers passionate, tortured and sad, but with eyes averted from the audience, staring instead fiercely at their hands, up at heaven, or down at the ground. It followed our interview with Farooq Chaudhry, co-founder of Akram Khan Company and is one of the earliest interviews conducted. The impetus for the work was an interview with a soldier and a song found by composer Jocelyn Pook, recorded during the war. Tue … #triplebill #worldwidedance @oopperabaletti "In life and death we're continuously moving" - Akram Khan on the research, inspiration and many physical languages that informed his process in the creation of Dust. An Interview with Jocelyn Pook Composer Jocelyn Pook discusses her masterful composition for Dust . Photograph: Tristram Kenton/The Guardian. Akram Khan in Dust, 2014. In her introduction in the programme English National Ballet’s Artistic Director, Tamara Rojo, writes ‘Lest We Forget is one of my proudest moments as Artistic Director so far. ideaXme Interview With Akram Khan. First, the concept of a trench, of the young men and old men all going into trenches, and disappearing. Andrej Petrovic Assistant Choreographer. Why listen? Khan made the work on himself and there can be no finer accolade than to acknowledge that Streeter is, at least, the creator’s equal. Share. Dust was created by choreographer Akram Khan in 2014, as part of Lest We Forget, our dance programme reflecting on World War I. The war is taken to a more epic, mythological space in Akram Khan's Dust. Tell us how you started working with Akram Khan? Akram Khan, photo Max Barnett. Ruth Little Dramaturgy. Khan’s work focuses on the women who worked at an ammunition factory at the home front. Email. Akram Khan is one of the most celebrated and respected dance artists of today. The other substantial part was inspired by the women. Akram Khan’s dance work Dust was born to commemorate the end of World War I. It’s a choreography full of pain and strength. None more so than James Streeter whose performance as the unknown warrior in Akram Khan’s Dust was sensational: fighting gravitational pull and the loss of muscular discipline by exercising intense muscle control. The pounding music and the ambient lighting transport the audience to the home front right from the beginning of the performance. March 30, 2021. Sarah Crompton. Comments. Vertical Road – Akram Khan. THE THEMES . The tabs part very slowly to reveal a blurrily lit shape behind a plastic cyclorama. But, where Scarlett is a confirmed neoclassicist, Khan here makes more exotic demands of ENB’s dancers. Creating Dust: interview with designer Kimie Nakano. Khan was intrigued by the thought that the men dug into the … Photograph: Tristram Kenton. Watching Akram Khan. The English National Ballet gave festival-goers a treat on Sunday morning when they performed Akram Khan's 'Dust' in full at Glastonbury. Dust is a one-act contemporary ballet about World War I, choreographed by Akram Khan, music by Jocelyn Pook and created for the English National Ballet.It marked the first time Khan worked with a ballet company, and premiered on 2 April 2014 at the Barbican Centre, London. What inspires him? Read the Interview. Dust is available to rent on Ballet on Demand. Akram Khan gratefully acknowledges Akram Khan Company staff team: Farooq Chaudhry, Jan Hart, Richard Fagan, Tina Fagan, Mashitah Omar, Clare Cody-Richardson, Céline Gaubert, Christine Maupetit, Amy Sharkey, Hannah Patel, Mai Tassinari, Nathan White, and all those who contributed to make the production successful. Also Available. In 2014, choreographer Akram Khan created Dust, as part of Lest We Forget, our programme of ballets commemorating the First World War. The choreographer performed in Peter Brook’s legendary stage production of The Mahabharata as a … Akram Khan: 'You have to become a warrior' He's the darling of the dance world, and beyond, with artists such as Anish Kapoor and Antony Gormley lining up to work with him . Akram Khan: I’m terrified that my body will give in . Akram Khan Company is an associate artist at Sadler’s Wells Theatre in London and Curve Theatre in Leicester. Watch & Read Creating Dust: interview with designer Kimie Nakano. In just over 19 years he has created a body of work that has contributed significantly to the arts in the UK and abroad. Blog. Somehow, each … Akram Khan takes the audience to the British home front during World War I. It's an interview like no other Akram Khan has given, an insight into who he really is. Yvonne Gilbert Sound Designer. Interview. Melbourne International Arts Festival The CUB Malthouse, Merlyn Theatre October 2010. Gavin Sutherland Orchestration. By Rain Francis. Akram Khan is at the forefront of British contemporary dance, and a key contributor to the development of the genre. What motivates him? Vertical Road opens with the meditative sound of water droplets falling. From 7pm tonight, Akram Khan’s ‘Dust’, a 2014 ballet commemorating the centenary of the First World War, will be available to stream on ENB’s Facebook and YouTube channels. Akram Khan’s work Dust is about the empowerment of women in the war, especially as they became the main workforce in the country. Because it's the truth, its authentic. Akram and I were introduced by his co-producer Bia Oliveira, who I’d worked with many years previously with the performance artist Bobby Baker. Commissioning new dance works that push the boundaries of ballet is at the core of our vision. Dust, by Akram Khan, also puts the women centre-stage. Over the last twenty years, Akram Khan Company has established itself as one of the foremost innovative dance companies in the world. Akram Khan Direction and Choreography. Mark Henderson Lighting Design. Akram said: “The piece is inspired by two things. Women have had a profound influence on Akram Khan. Dust Choreographed by Akram Khan Music: Jocelyn Pook. Dust. Share. The first inspiration, explored in the opening of Dust, are the trenches, and the men building them and living inside them. Judith Mackrell @judithmackrell. Akram Khan is one of the most celebrated contemporary choreographers in the world. Its chorus of women are warriors of the home front, their choreography driven … 1. … As he prepares to perform in Until the Lions for the last time, the dancer and choreographer Akram Kahn talks to Culture Whisper about his art and his worldview. 3 ways to use video flashcards to engage students and support learning In his choreographed pieces, Khan fuses this deeply traditional art form with the innovative flair of contemporary performance. What makes him laugh? His recognition reached a populist zenith when he composed a section of dance for the spectacular opening ceremony for the London Olympics in 2012 and he and his outfit, Akram Khan Company, continue to … Tweet. English National Ballet at Glastonbury 2014. https://www.safetydetectives.com/blog/interview-akram-khan-cyber-security-hive Khan is the best-known contemporary and Indian classical dancer in Britain today. I've written about Dust, Akram Khan's work for English National Ballet World War One programme, Lest We Forget, several times. By Teresa Guerreiro on 20/12/2018. The interview. Photograph: Tristram Kenton/The Guardian. I was swept away by the final piece, Akram Khan’s Dust. Akram Khan in Third Catalogue at the Purcell Room, London, in 2005. Here are the pictures of the incredible event, with no wellies in sight. Share. Akram Khan and Sylvie Guillem in Sacred Monsters (2008). Vincenzo Lamagna Composition and Sound Design, after the original score by Adolphe Adam. Read more about the work. 16 Aug 2018. Born in London to a Bangladeshi family, Khan received training in the Kathak style of classical Indian dance, in which rhythm and movement cohere into narrative. Mavin Khoo Rehearsal Director. Akram Khan Interview. Khan's dance roots are in kathak – and it shows. We met with one of his collaborators, Kimie Nakano, who designed its costumes. 3 online classroom games to energize your class; March 30, 2021. This interview took place at the outset of ideaXme’s journey. The piece begins with a … Tim Yip Visual and Costume Design. Last but not least is Akram Khan’s Dust, his debut work as a ballet choreographer that gave him the confidence to create his full-length version of Giselle on English National Ballet in 2016. 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