william forsythe dance company

 

His installation and film works have been presented in numerous museums and exhibitions, including the Whitney Biennial (New York, 1997), Louvre Museum (2006),  Pinakothek der Moderne in Munich (2006), 21_21 Design Sight in Tokyo (2007), Wexner Center for the Arts, Columbus (2009), Tate Modern (London, 2009), Hayward Gallery, (London 2010), MoMA (New York 2010), Venice Biennale (2005, 2009, 2012, 2014), MMK – Museum für Moderne Kunst (Frankfurt, 2015), 20th Biennale of Sydney (2016), ICA Boston (2011, 2018), Sesc Pompeia – Sao Paulo (2019), Museum Folkwang (2019) and Museum of Fine Arts, Houston (2020). 2009 marked the launch of Synchronous Objects for One Flat Thing, reproduced, a digital online score developed with The Ohio State University that reveals the organizational principles of the choreography and demonstrates their possible application within other disciplines. Director: Forsythe served as Artistic Director of Ballet Frankfurt from 1984 to 2004, and created Artifact during his first year with the company. concEPT and choreography JACOPO GODANI Music Jan Bang / Ensemble Modern In 1984, he began a 20-year tenure as director of the Ballet Frankfurt, where he created works such as Artifact (1984), Impressing the Czar (1988), Limb’s Theorem (1990), The Loss of Small Detail (1991), A L I E / N A(C)TION (1992), Eidos:Telos (1995), Endless House (1999), Kammer/Kammer (2000), and Decreation (2003). Discover the rich layers, unexpected combinations, and experiential aspects that are distinctive to his work as a choreographer and with a parallel practice in the visual arts. Synchronous Objects was the pilot project for Forsythe's Motion Bank, a research platform focused on the creation and research of online digital scores in collaboration with guest choreographers. Forsythe is an Honorary Fellow at the Laban Centre for Movement and Dance in London and holds an Honorary Doctorate from The Juilliard School in New York. ... Forsythe is a current Professor of Dance and Artistic Advisor for the Choreographic Institute at the University of Southern California Glorya Kaufman School of Dance… Forsythe's deep interest in the fundamental principles of organization has led him to produce a wide range of projects including Installations, Films, and Web based knowledge creation. After the closure of the Ballet Frankfurt in 2004, Forsythe established a new ensemble, The Forsythe Company, which he directed from 2005 to 2015. William Forsythe has been active in the field of choreography for over 45 years. In Frankfurt, Germany, he directed the Ballet Frankfurt at the opera house and the independent Forsythe Company, for 30 years. William Forsythe has given his field a daring new direction and scope. William Forsythe: A Quiet Evening of Dance review – rare and revelatory 5 out of 5 stars. William Forsythe has pushed the boundaries of ballet over the course of a nearly five-decade career. In collaboration with media specialists and educators, Forsythe has developed new approaches to dance documentation, research, and education. WILLIAM FORSYTHE . In 1984, he began a 20-year tenure as director of the Ballet Frankfurt, where he created works such as Artifact (1984), Impressing the Czar (1988), Limb’s Theorem (1990), The Loss of Small Detail (1991), A L I E / N A(C)TION (1992), Eidos:Telos (1995), Endless House (1999), Kammer/Kammer (2000), and Decreation (2003). Dancer/Choreographer/Artist William Forsythe has been active in the field of choreography for over 45 years. Choreographer William Forsythe discusses “A Quiet Evening of Dance”, musicless dance, and breaking molds. William Forsythe to No Longer Run Forsythe Dance Company - The New York Times. After this, he followed his then wife, Eileen Brady, joining the Stuttgart Ballet in 1973. William Forsythe, (born December 30, 1949, New York, New York, U.S.), American choreographer who staged audaciously groundbreaking contemporary dance performances during his long association with the Frankfurt Ballet and later with his own troupe, the Forsythe Company. Forsythe is a current Professor of Dance and Artistic Advisor for the Choreographic Institute at the University of Southern California Glorya Kaufman School of Dance. His 1994 computer application Improvisation Technologies: A Tool for the Analytical Dance Eye, developed with the ZKM / Zentrum für Kunst und Medientechnologie Karlsruhe, is used as a teaching tool by professional companies, dance conservatories, universities, postgraduate architecture programs, and secondary schools worldwide. More recently Forsythe has created original works for the Paris Opera Ballet (Blake Works I),English National Ballet (Playlist (Track 1,2)),Boston Ballet (Playlist (EP)),as well as the internationally acclaimed productions A Quiet Evening of Dance produced by Sadler’s Wells Theatre (London). Forsythe’s impressive track record makes his personal introduction to the show all the more unexpected. 2. The word itself, like the processes it describes, is elusive, agile, and maddeningly unmanageable. Forsythe returned to the United States and has since worked as a freelance choreographer with leading ballet companies. Studio rehearsal. Encouraged by the director, Marcia Haydée, Forsythe began choreographing works for the company and in 1976 he choreographed his first piece, Urlicht. William Forsythe is one of those artists who crosses genres as easily as crossing the street. His work is acknowledged for reorienting the practice of ballet from its identification with classical repertoire to a dynamic 21st century art form. Il Metodo di Composizione del Movimento ideato da William Forsythe. In May 2014, Forsythe announced that he would be stepping down as artistic director of The Forsythe Company in September of 2015. Born and raised in New York, Forsythe was trained initially in Balanchine and Bournonville ballet techniques. The Forsythe Company is a dance ensemble of eighteen dancers based in Dresden, Germany. 2009 marked the launch of Synchronous Objects for One Flat Thing, reproduced, a digital online score developed with The Ohio State University that reveals the organizational principles of the choreography and demonstrates their possible application within other disciplines. Over the next seven years, he created new works for the Stuttgart ensemble and ballet companies in Munich, The Hague, London, Basel, Berlin, Frankfurt am Main, Paris, New York, and San Francisco. To attend the event, purchase tickets at www.concertgebouw.be. The ensemble further pursues the creative work carried out for 20 years with Ballett Frankfurt, including producing works in the areas of performance, installation, film, and educational media. While known primarily as a choreographer, he has tried his hand in vastly different disciplines ranging from performance art to installation sculpture to computer imaging. In 2002, Forsythe was chosen as one the founding Dance Mentor for The Rolex Mentor and Protégé Arts Initiative. With these hands. Awards received by Forsythe and his ensembles include the New York Dance and Performance “Bessie” Award (1988, 1998, 2004, 2007) and London’s Laurence Olivier Award (1992, 1999, 2009). His installation and film works have been presented in numerous museums and exhibitions, including the Whitney Biennial (New York, 1997), Festival d’Avignon (2005, 2011), Louvre Museum (2006),  Pinakothek der Moderne in Munich (2006), 21_21 Design Sight in Tokyo (2007), Wexner Center for the Arts, Columbus (2009), Tate Modern (London, 2009), Hayward Gallery, (London 2010), MoMA (New York 2010), Venice Biennale (2005, 2009, 2012, 2014), MMK – Museum für Moderne Kunst (Frankfurt, 2015), 20th Biennale of Sydney (2016), ICA Boston (2011, 2018), Sesc Pompeia – Sao Paulo (2019) and Museum Folkwang (2019). If it's a case of filming a "cult" choreography that pre-dates the film, the additional challenge is the "duty of recall" since the film of the choreography will carry with it, into some future time, the memory of its theatrical representation. These “Choreographic Objects”, as Forsythe calls his installations, include among others White Bouncy Castle (1997), City of Abstracts (2000), The Fact of Matter (2009), Nowhere and Everywhere at the Same Time No. William Forsythe, one of the greatest choreographers of international contemporary dance, returns to Rome after many William Forsythe: Denken in Bewegung Jan 2004 His 1994 computer application Improvisation Technologies: A Tool for the Analytical Dance Eye, developed with the ZKM / Zentrum für Kunst und Medientechnologie Karlsruhe, is used as a teaching tool by professional companies, dance conservatories, universities, postgraduate architecture programs, and secondary schools worldwide. Forsythe is an Honorary Fellow at the Laban Centre for Movement and Dance in London and holds an Honorary Doctorate from The Juilliard School in New York. He moved to Germany in 1973 to dance with the Stuttgart Ballet and subsequently became resident choreographer. CHOREOGRAphies by WILLIAM FORSYTHE, MARCO GOECKE, jacopo godani 29 April 2021 - 23 May 2021 Bockenheimer Depot Frankfurt am Main ... Videowork and performance dancers of the Dresden Frankfurt Dance Company Youtube Channel der Dresden frankfurt dance company . MMK – Museum für Moderne Kunst (Frankfurt, 2015), 20th Biennale of Sydney (2016), ICA Boston (2011, 2018), Sesc Pompeia – Sao Paulo (2019) and Museum Folkwang (2019). Forsythe’s works developed during this time were performed exclusively by The Forsythe Company, while his earlier pieces are prominently featured in the repertoire of virtually every major ballet company in the world, including the Mariinsky Ballet, New York City Ballet, San Francisco Ballet, National Ballet of Canada, Semperoper Ballet Dresden, England’s Royal Ballet and the Paris Opera Ballet. New version Extinction of a minor species. More recently Forsythe has created original works for the Paris Opera Ballet. 2 (2013), Black Flags (2014), Underall (2017) and Unsustainables (2019). film / Francfort / 2006 / 26' The director of a dance film is inevitably confronted with the task of 'translating' from one medium to another. Training in classical dance Forsythe eventually ended up dancing with the Joffrey Ballet and then the Stuttgart Ballet where his passion for choreography was first recognized when he was made resident choreographer for the company in 1976. Standout dancers in his company … 2(2013), Black Flags(2014), Underall (2017) and Unsustainables (2019). His 1994 computer application, Improvisation Technologies: A Tool for the Analytical Dance Eye, Synchronous Objects for One Flat Thing, reproduced, As an educator, Forsythe is regularly invited to lecture and give workshops at universities and cultural institutions. More recently Forsythe has created original works for the Paris Opera Ballet (Blake Works I), English National Ballet (Playlist (Track 1,2)), Boston Ballet (Playlist (EP)), as well as the internationally acclaimed productions A Quiet Evening of Dance produced by Sadler’s Wells Theatre (London). William Forsythe. After the closure of the Ballet Frankfurt in 2004, Forsythe established a new ensemble, The Forsythe Company, which he directed from 2005 to 2015. Forsythe is a current. Raised in New York and initially trained in Florida with Nolan Dingman and Christa Long, Forsythe danced with the Joffrey Ballet and later the Stuttgart Ballet, where he was appointed Resident Choreographer in 1976. “Choreographic Objects”, as Forsythe calls his installations, Nowhere and Everywhere at the Same Time No. Choreography is a curious and deceptive term. His dance style is from Russia, via New York. Forsythe’s works developed during this time were performed exclusively by The Forsythe Company, while his earlier pieces are prominently featured in the repertoire of virtually every major ballet company in the world, including the Mariinsky Ballet, New York City Ballet, San Francisco Ballet, National Ballet of Canada, Semperoper Ballet Dresden, England’s Royal Ballet and the Paris Opera Ballet. After the closure of Ballet Frankfurt, he founded The Forsythe Company, which he directed from 2005 to 2015. Forsythe is an Honorary Fellow at the Laban Centre for Movement and Dance in London and holds an Honorary Doctorate from The Juilliard School in New York. Forsythe has been commissioned to produce architectural and performance installations by architect-artist Daniel Libeskind (Groningen, 1989), ARTANGEL (London,1997), Creative Time (New York, 2005), and the SKD – Staatliche Kunstsammlungen Dresden (2013, 2014). Roslyn Sulcas, dance critic for The New York Times and Eva Respini, Barbara Lee Chief Curator of the Institute of Contemporary Art/Boston, explore the many facets of William Forsythe's creativity. Born in New York, William Forsythe initially began his training with Nolan Dingman and Christa Long in Florida. It was founded in 2005 by William Forsythe following the closure of the Frankfurt Ballet. Works produced with this ensemble include Three Atmospheric Studies (2005), You made me a monster (2005), Human Writes (2005), Heterotopia (2006), The Defenders (2007), Yes we can’t (2008/2010), I don’t believe in outer space (2008), The Returns (2009) and Sider (2011). Professor of Dance and Artistic Advisor for the Choreographic Institute at the University of Southern California Glorya Kaufman School of Dance. His work is frequently begun in notions about light rather than music, as he reveals in Conversation on Lighting with Jennifer Tipton.Like the finest artists, he teaches the dance audience new skills for looking at things. From 1971 to 1973 danced with Joffrey Ballet II, often appearing in the parent company's productions. His work is acknowledged for reorienting the practice of ballet from its identification with classical repertoire to a dynamic 21st century art form. He … Works produced with this ensemble include Three Atmospheric Studies (2005), You made me a monster (2005), Human Writes (2005), Heterotopia (2006), The Defenders (2007), Yes we can’t (2008/2010), I don’t believe in outer space (2008), The Returns (2009) and Sider (2011). Dalle Improvisation Technologies (1999) alla Motion Bank , (2010-2013), l’ultima iniziativa multidisciplinare di William Forsythe e della The Forsythe Company. Forsythe is an Honorary Fellow at the Laban Centre for Movement and Dance in London and holds an Honorary Doctorate from The Juilliard School in New York. Active in the field for more than 45 years, his work has been featured in the repertoire of every major ballet company in the world. His installation and film works have been presented in numerous museums and exhibitions, including the Whitney Biennial (New York, 1997), Festival d’Avignon (2005, 2011), Louvre Museum (2006),  Pinakothek der Moderne in Munich (2006), 21_21 Design Sight in Tokyo (2007), Wexner Center for the Arts, Columbus (2009), Tate Modern (London, 2009), Hayward Gallery, (London 2010), MoMA (New York 2010), Venice Biennale (2005, 2009, 2012, 2014). In collaboration with media specialists and educators, Forsythe has developed new approaches to dance documentation, research, and education. Forsythe has been conveyed the title of Commandeur des Arts et Lettres (1999) by the government of France and has received the Hessischer Kulturpreis/ Hessian Culture Award (1995), the German Distinguished Service Cross (1997), the Wexner Prize (2002) the Golden Lion of the Venice Biennale (2010), the Samuel H Scripps / American Dance Festival Award for Lifetime Achievement (2012) and the Grand Prix de la SACD (2016). "Forsythe is American. Forsythe’s works developed during this time were performed exclusively by The Forsythe Company, while his earlier pieces are prominently featured in the repertoire of virtually every major ballet company in the world, including the Mariinsky Ballet, New York City Ballet, San Francisco Ballet, National Ballet of Canada, Semperoper Ballet Dresden, England’s Royal Ballet and the Paris Opera Ballet. These“Choreographic Objects”, as Forsythe calls his installations,include among othersWhite Bouncy Castle(1997), City of Abstracts(2000), The Fact of Matter (2009), Nowhere and Everywhere at the Same Time No. 5. (Refer to Appendix 1 for brief biography) His choreography is rich in diverse influences, many of which aren't restricted to the ballet world. has been active in ... Forsythe established a new ensemble, The Forsythe Company, which he directed from 2005 to 2015. I lavori più recenti di Forsythe sono stati sviluppati ed eseguiti esclusivamente dalla The Forsythe Company, mentre i ... meridionale Glorya Kaufman School of Dance. Forsythe Company che ha diretto dal 2005 al 2015. Forsythe is a current Professor of Dance and Artistic Advisor for the Choreographic Institute at the University of Southern California Glorya Kaufman School of Dance. Years later he is engaged to direct the Frankfurt Ballet (1984–2004) and after its dissolution he achieves to create The Forsythe Company (2005–present). In 2002, Forsythe was chosen as one the founding Dance Mentor for The Rolex Mentor and Protégé Arts Initiative. Forsythe has been commissioned to produce architectural and performance installations by architect-artist Daniel Libeskind (Groningen, 1989), ARTANGEL (London,1997), Creative Time (New York, 2005), and the SKD – Staatliche Kunstsammlungen Dresden (2013, 2014). Forsythe has been commissioned to produce architectural and performance installations by architect-artist Daniel Libeskind (Groningen, 1989), ARTANGEL (London,1997), Creative Time (New York, 2005), and the SKD – Staatliche Kunstsammlungen Dresden (2013, 2014). In 2002, Forsythe was chosen as one the founding Dance Mentor for The Rolex Mentor and Protégé Arts Initiative. ONE FLAT THING, REPRODUCED by William Forsythe, danced by the DRESDEN FRANKFURT DANCE COMPANY - JACOPO GODANI. Forsythe's most regular collaborators are dancer Dana Caspersen (his wife), and Dutch composer (or "sound artist") Thom Willems. Raised in New York and initially trained in Florida with Nolan Dingman and Christa Long, Forsythe danced with the Joffrey Ballet and later the Stuttgart Ballet, where he was appointed Resident Choreographer in 1976. Roslyn Sulcas, dance critic for The New York Times and Eva Respini, Barbara Lee Chief Curator of the Institute of Contemporary Art/Boston, explore the many facets of William Forsythe's creativity.Discover the rich layers, unexpected combinations, and experiential aspects that are distinctive to his work as a choreographer and with a parallel practice in the visual arts. Over four decades, he has redefined the very syntax and praxis of his field, and exerted unparalleled influence on subsequent generations of artists. As an educator, Forsythe is regularly invited to lecture and give workshops at universities and cultural institutions. Awards received by Forsythe and his ensembles include the New York Dance and Performance “Bessie” Award (1988, 1998, 2004, 2007) and London’s Laurence Olivier Award (1992, 1999, 2009). December 5–8, 2019 Concertgebouw, Bruges, Belgium www.concertgebouw.be At the invitation of Needcompany, William Forsythe has created two new short works for December Dance 19, the international dance festival curated by the multidisciplinary dance company. William Forsythe began studying at the Joffrey Ballet School in New York in 1969 and began his professional career as an apprentice with the Joffrey Ballet in 1971. Choreographic InfluencesAmerican born William Forsythe has been recognized as one of the 20 th century's most radical choreographers. As an educator, Forsythe is regularly invited to lecture and give workshops at universities and cultural institutions. Forsythe has been conveyed the title of Commandeur des Arts et Lettres (1999) by the government of France and has received the Hessischer Kulturpreis/ Hessian Culture Award (1995), the German Distinguished Service Cross (1997), the Wexner Prize (2002) the Golden Lion of the Venice Biennale (2010), the Samuel H Scripps / American Dance Festival Award for Lifetime Achievement (2012), Carina Ari Medal (Sweden, 2014)  the Grand Prix de la SACD (2016) and the German Theater Award FAUST for Lifetime Achievement (2020). In collaboration with media specialists and educators, Forsythe has developed new approaches to dance documentation, research, and education. In 1984, ... his company was taken over by the Italian choreographer Jacopo Godani who renamed the group the Dresden Frankfurt Dance Company. William Forsythe is arguably the most important living choreographer to advance the grammar of ballet. In 2002, Forsythe was chosen as one the founding Dance Mentor for The Rolex Mentor and Protégé Arts Initiative. In 1976 he became resident choreographer with the Stuttgarter Ballett. William Forsythe is considered as a continuator of Balanchine’s work, because of his way of working with classical ballet from a … The Forsythe Company; Advanced Computing Center for the Arts and Design and Department of Dance at The Ohio State University. Synchronous Objectswas the pilot project for Forsythe's Motion Bank, a research platform focused on the creation and research of online digital scores in collaboration with guest choreographers. Over the next seven years, he created new works for the Stuttgart ensemble and ballet companies in Munich, The Hague, London, Basel, Berlin, Frankfurt am Main, Paris, New York, and San Francisco. William Forsythe is a radical innovator in choreography and dance, revered the world over, and with an ardent and long-standing following in France. 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