“This one’s for me,” she proclaims before playing her last song. Andrew P Street. Matthew Trainor March 9, 2020 Adelaide, Festivals, Music, Reviews, Uncategorized WOMADELAIDE 2020 – DAY THREE REVIEW It was another sun-drenched day for the Sunday of WOMADelaide 2020 and, while the program may have been missing some of the star power of other days, there was a host of great performances to enjoy. The stage ignites as she moves through her set. It’s an hour of laptop-driven punk. It’s wild. In 2011, Beyonce prophesied that girls would run the world. A few renegade fans clamber onto the stage. At some point between her first and second albums Harding locked on a new kind of stage presence – intense eyes, stilted dance moves, and all manner of expressive facial manipulations – that make for a fascinating contrast against the quiet Nick Drake-visiting-Laurel Canyon folk grooves of her music. Perhaps it’s what Cream fans were expecting for in 1969 when they first heard that George Harrison had co-written a song for the group’s final album. A quick debrief on 26 of the acts from WOMADelaide 2020. “If you’re not clapping, what are you doing? They hit hard at mining companies, police brutality and the power of sisterhood. He was impressed. He was impressed. This is thanks to a deft piece of bait-and-switch crowd work (reminiscent of Tim Minchin’s 'I Love Jesus'). A song later, and most of the affluent crowd are waving their arms in the air against the dripping sarcasm of Briggs’ most recent single, singing along to 'My life is incredible/Being white is incredible'. The first local airing of the Spinifex Gum project in 2018 remains one of the most compelling moments of Adelaide Festival’s current era. Her stage manner is equal parts inscrutable and intriguing, much like her lyrics, which manage to be both opaque and somehow meaningful (“laughing at good work with your ugly son”, she sings to enthusiastic applause on opener Designer). “These songs help us remember where our heads were at when we first played WOMAD,” says frontman Felix Riebl, jumping into the songs ‘Hello’ and ‘Chariot’ (both off their self-titled 2003 debut). [Justin McArthur], Master Japanese psych-teasers Kikagaku Moyo tread a humble line of guitar-driven hypnosis, enticing the audience with their special brand of stoner psychedelica. Welcome to Country Botanic Park is decked out in the usual explosion of colour, with the signature #womad… After a while the police came up to us, wanted to know if we had papers, papers to march and sing. She also briefly recalls last year’s Talking Heads tribute set from Angelique Kidjo with a cover of 1983’s Slippery People. A lot of theatre, a lot of dance, a lot of cooking and a lot of workshops too. Deline Briscoe sings jazzy Yalanji lullabies under a choir of bats – including a cameo from William Barton. They’re a well-oiled machine that smash through songs from their EP and self-titled debut album. Walter is a writer and editor living on Kaurna Country. Drummer Perrin Moss’ sticks flutter and swing across the hi hat and snare, while the birthday boy’s thick baselines slither over fretboard like a python on MDMA. See Profile. Known for her witty and well-researched reporting, Fran has long been at the forefront of commentating on women’s issues by exposing aspects of inequality through eye-opening statistical evidence. Their chemistry as a whole is something to behold. There's a lot of music across the four days of WOMADelaide. Ziggy Marley (one of the 2020 headliners in Adelaide) played at WOMAD UK last year. [ES], Day 2 is full of large ensembles. We are beyond excited to welcome you to our temporary new lodgings in a beautiful, custom built, tree-lined and SA Health approved arena in King Rodney Park. Frontwoman Nai Palm gazes joyfully at the crowd, before pointing out that it’s bassist Simon Mavin’s birthday. To close, the rest of the band leave their instruments and form a line behind Ngaiire to sing Gospel torch song Fall Into Arms. [JM], Day 4 begins with some much-needed recovery music. These psych-rock rupunzels put some serious mood work into their first down-tempo tracks. Or, local institutions that are so good you usually find yourself inventing dumb excuses like wanting to celebrate a family member’s birthday just to feel worthy of paying them a visit, are suddenly there all weekend ready to sling you eggplant curry at a moment’s notice. [Edwina Sleigh], Friday is an evening of long legacies. A chance to re-connect, re-engage and celebrate together. It has been a memorable comeback. Riebl is, as ever, an assured presence on the stage, rocking a leather jacket and white tee that perhaps shoots for classic James Dean style but, thanks to his unabashedly cheesy grin, lands closer to a kind of Chris Martin its-cool-to-be-uncool energy. The crowd is happy to follow suit as the seven-piece band turn out precisely the kind of globetrotting sound WOMAD audiences adore; it’s dirt-stomping, samba-infused dance-funk one minute, sultry equatorial love jams the next as band member Eder Araujo teases out the kinds of saxophone and flute solos designed for that moment in a romantic film when the camera coyly pans to a fireplace or open window. Hers is a voice that, with all due respect, has seen some shit, and has sung about it every step of the way. She articulates her lyrics with a homemade tang. 2020 WOMADelaide Review By Tony Polese ... making for a picture-perfect way to end WOMADelaide 2020. “Music is the language of us all,” Riebl sings as the band perform their 2003 track How To Explain, a de facto WOMAD theme song if ever there was one, and I know two things: one of the teens beside me will impulse buy a pair of fisherman’s pants before the festival concludes, and The Cat Empire will deliver a night of dancing and horn-blaring, arm-waving revelry. Review: WOMADelaide, day one at King Rodney Park, Adelaide, March 5th, 2021. And they do so with a finesse that has the surrounding crowd in a frenzy. She brings tidings, she tells us, from Chicago, the windy city, the “home of the down home blues”. One wonders whether it’s a subtle act of white privilege-checking to consistently schedule the most melanin-deficient acts of a world music festival at the most sunburn-inducing parts of the program. Mavis is equal parts singer and activist. Being in a like-minded audience and out of the rock and roll thing of ‘arrive in town-practice-put on a show-leave’. And despite neo-soul roots, she gets down on her knees and thrashes her head around like a hard-core rock 'n' roll legend. WOMADelaide began in 1992 and has gone on to become one of Australia's favourite festivals; the 2010 festival attracted 81,500 attendances over four days (not including children 12 and under, who are admitted free). I’m gonna grab him by that red hat, and I’m gonna smack him." I catch a tiny bit of Super Rats in transit between stages and their dulcimer driven Gypsy vibe is terrific. WOMADelaide 2020: A View From The Small Stages by Michael Coghlan ~ Day 1 WOMAD Review [EVENT ~ WORLD MUSIC ~ INT] Botanic Park, Fri 6 Mar. And not forgetting that bluesy rhythmic swagger we all know so well. Throughout, he brings out NZ rapper Savage, fellow Sunday acts Thandi Phoenix and Ngaiire, and finally AB Original collaborator Trials. WOMADelaide returns for another year with a rich program of live music and culture cherry-picked from all corners of the world. we’d sit around, and then we got back out of jail, and started all over again! A character who sits with legs unashamedly spread, on-stage. The crowd cautiously lulls into acoustic songs with beguiling melodies and warm tones. America!” I’m not even sure if Channel 10 airs Letterman’s late night successor Stephen Colbert. They took us to jail…. https://www.adelaidereview.com.au/.../review-womadelaide-2020-highlights Indeed, two years of news cycles and failures only underlines how little progress has been made; Ms Dhu now lands with the added weight of Tanya Day, Kumanjayi Walker, of the First Nations women and men still being disproportionately locked top for unpaid fines or being drunk in public. Riebl and co. deliver, of course, but I’ll have to keep an eye out for the pants. WOMADelaide 2020. Baseball caps aren’t having a particularly good moment in America, after all. Tickle holds the horn of her instrument up to her mouth like a triumphant Viking’s toasting victory, and yells, “Yeaaaah”. While not strictly a ‘jam’ band they have a beautiful collective playfulness. This five-piece wagon takes off at full-pelt and doesn’t let up. The Monday morning of a four-day-long festival can be a slow starter, but Brazilian vocalist Liniker de Barros Ferreira Campos and her ensemble rev up the crowd like it’s a Saturday night. With diverse cultural influences, the Australian singer-songwriter rose to fame following the release of her debut album To A Stranger, which amassed over 30 million streams, two consecutive Triple J Hottest 100 entries and two 2018 ARIA nominations. WHAT: WOMADelaide Festival & Adelaide Festival WHERE: Botanic Park WHEN: 6-9 March 2020. !” he asks the crowd. WOMAD is the World of Music, Arts & Dance. To end my night and WOMADelaide experience fully, I grooved my socks off with the late-night crowd who lost their minds to WOMADelaide’s final set played by South African DJ Themba. “Thank you for all the vibrations here,” she says. “The next song is a song about…. This annual four-day World Music festival is a true celebration of music, dance, performances, topical environmental discussions, workshops, culinary tastes and much, much more. Unreleased set closer Old Peel evokes The Kinks with its spiralling guitar line from bassist/guitarist Huw Parkinson, as Harding enthusiastically plays a white coffee mug like a cowbell. Then, they get into it, and it’s clear why the group’s work has been famously chopped up and devoured by the world of hip hop; every track is filled with enough breakbeats and stops to fill a sample library. Palm attempts to get them to clap along to a double-time rock beat. We’re hit with a bunch of stats that almost seem insane. [ES], It’s International Women’s day and we’re spending it with Jan Fran. At the head of their chorus is Jed Altschwager, the energetic multi-instrumentalist and would-be Paralympic rower. [JM]. On the Foundation Stage, the bring seven decades of gospel (decked in silver suits) before veterans The Cat Empire launch into two decades of jazz and ska. Good evening y’all,” the legendary Mavis Staples greets the crowd. And there’s Australian superstar rapper Briggs. The cameos begin the moment he walks onstage, flanked by Frenzal Rhomb guitarist Lindsay 'The Doctor' McDougall and True Vibenation on brass. Download WOMADelaide 2020 and enjoy it on your iPhone, iPad, and iPod touch. James Martin 17 March 2020 One week before the Australian Government banned gatherings of more than 500 people due to COVID-19, we were lucky to experience our yearly dose of incredible world music at WOMADelaide 2020, held in the beautiful Botanic Park. Briggs once again ‘steals the festival’ on Sunday night. They are as rambunctiously embraced by General Levy as he is by the enamoured crowd before him. It magnetises the stages too, and all the artists who pour themselves out on them. It might not be everyone’s cup of tea, but none of those people are in this crowd. Adelaide Festivals / Event / Live Music / Music / Reviews / WOMADelaide 2020 / March 7, 2020. His fingers are an unstoppable and unrivaled rampage into a reinvention of jazzy blissfulness. “She was a really strong village woman, she didn’t know how to read how to write. To end my WOMADelaide 2020 experience, it’s over to the Frome Park Pavilion to see Nottingham’s Sleaford Mods. The energy is noticeably different to Callahan’s afternoon nap-friendly Americana over at Stage 7, as Ngairre and her backing vocalists careen across the stage, egging each other on to a big pop beat. Today was a bit slower than other days, you need it after a long weekend! With samples ranging from Wagner to the Notorious B.I.G., it is poignant when Briggs samples Dr Geoffrey Gurrumul Yunupingu (who 'taught me how to breathe fire') on ‘The Children Came Back’, chorusing 'I’m Gurrumul, I’m Archie, I'm everything you ask me' on the same stage where Gurrumul performed solo in 2009. The crowd rupture in delight. But the big surprise is the burgeoning crowd that surges around the Zoo Stage at 8:30pm. “It’s a real pleasure to be back again,” Felix Riebl says as he leads his band through their fifth appearance at the festival. Legendary Indian violinist L. Subramaniam has the entire crowd at…. He got it. From the corporatisation of feminism to the creation of the term ’vagwashing’, we’re in hysterics. For close to 30 years now, WOMADelaide has served as one of the most important fixtures of the South Australian live music scene. Sia Duff. At one point admitting: "I’m dancing more than an asthmatic girl should be dancing". It’s a fitting note to round out a weekend marked by difficult conversations about the climate crisis, inequality and social progress happening around the park, and a salient reminder that we can always do better – and that it often helps to have the right soundtrack. “Lemonade! “Georgia, Alabama, Mississippi,” she continues, “We’d march and we’d sing. Without a doubt, these cries for cultural change by young Indigenous women deserve to be heard. Joining them are Felix Riebl and Ollie McGill of The Cat Empire, who wrote and produced the music. [ES]. Guitars are flung on and off over their shoulders, inspiring young eyes onto their rocking guitar riffs and lush harmonies. Halfway into their set an enthusiastic and growing band of 12 or so fans have been roused to their feet to indulge in some classic WOMADelaide dancing – you know, with the arms. The street performers cover the width of the festival’s biggest stage, mostly by running about, hair flailing, like Animal from The Muppets. The final day of WOMAD has come and it was a bittersweet one. Their acoustic shanties prove unmissable at such close quarters. In the years since her last Adelaide appearance Kiwi folk singer Aldous Harding has grown simultaneously stranger and more sublime, and has the Saturday afternoon audience utterly transfixed from the moment she steps on stage. REVIEW: WOMADelaide 2020, 6th March – 9th March Perfect weather, record-breaking crowds and one of the best line-ups yet helped to make Womadelaide 2020 very special. But we still managed to see quite a few good acts, including starting the day at the Chai tent having one last WOMAD drink. Womadelaide 2020: uplifting, political and expansive festival offers hope amid the doom Puppetry of the people: the four-metre-high creations of … And to all the men in the audience Fran says: “Guys you should be happy we want equality, and not revenge.” [ES], KermesZ á l’Est kicks off a 1pm dance party under an explosive trumpet of confetti and a fishing line disco ball. even has an accidental pet name for the city. The teen girls of Marliya Choir have grown older, more confident in the intervening years, and although the tension of seeing essentially young children deliver such intense messages is not quite as acute, the songs have lost none of their potency. That’s it. [JM] The glare of the fading afternoon sun is nothing compared to the heat brought out by the Ezra Collective boys. Her crazed, wide-eyed stares and possessed, angular body movements present something other than the sweet, doe-eyed folk singer we are familiar with. There’s a scary and harshness to her demeanor that's both unnerving and deeply satisfying. The WOMAD food alley is a kind of alternative food universe where some excellent food trucks, like an eclipse, seem to only appear in Adelaide once a year before vanishing interstate. Review: WOMADelaide 2020. Matthew Trainor March 8, 2020 Adelaide, Festivals, Music, Reviews, Uncategorized WOMADELAIDE 2020 - DAY TWO REVIEW Our highlights for the second day of this year’s WOMADelaide included The Blind Boys of Alabama, Rhiannon Giddens with Francesco Turrisi, Aldous Harding, Spinifex Gum, Dyson Stringer Cloher and Salif Keita. Joe-Armon Jones, who at first glance looks as though he’s rolled out of bed from the London winter, proves why he’s considered to be one of the most prolific keyboardists. She’s also brought its music, as she launches into a set that initially leans on her recent albums. The guitars are then discarded and all three sing a jaw-dropping a capella piece. The glare of the fading afternoon sun is nothing compared to the heat brought out by the Ezra Collective boys. With three days down and one final – and monumental – day to go, it goes without saying that the final night of WOMADelaide 2021 was set to be one to remember for years to come. The Minyo Crusaders, Public Opinion Afro Orchestra and Liniker e os Caramelows all play in short succession. He got it: being in a likeminded audience and out of the rock and roll thing of arrive in town/practice/put on a show/leave. Her faith in the festival audience’s ability to keep up with this globally renowned, polyrhythm-blending rhythm section is touching, and very misplaced. They seem to flash the jewels – but just as quickly stuff them back in the sack. “The whole Port Lincoln crew is here!” a sun–bleached young dude next to me ecstatically tells his friends as the band launch into their first extended horn jam of the night – it certainly won’t be the last. That kind of response won’t stand here, however, as she coaches the crowd in how to sing along, and they do, and it’s beautiful. WHAT: WOMADelaide Festival & Adelaide FestivalWHERE: Botanic ParkWHEN: 6-9 March 2020 - tickets here WOMADelaide is back, with a whole new roster of dance, music, art, and food to enjoy. Thursday 19th March / posted by Chris Wheeldon By RTRFM's Justine Dandy. I’m a witness,” she hollers, “and my work is not done yet.”. “Ziggy Marley [one of the Adelaide 2020 headliners] played at WOMAD UK last year. It’s kind of jazz, soul, hip hop EDM. Favourites from the early section of the band’s back catalogue had a huge crowd singing along … Andrew P Street is a freelance writer whose books include The Short And Excruciatingly Embarrassing Reign Of Captain Abbott (2015) and The Long And Winding Way To The Top (2017). A deliberately quiet and contemplative record, it’s not exactly built for the summer festival circuit. 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